The KinShip Project asks artists to consider how you might encounter the Subterranean or Underground world of Tramore Valley Park, the Grounded surface life of the park, or the Aerial overhead or vaporous entities that share the park with us.


The KinShip Artist Placements are aimed at opening up new perspectives, ways of inhabiting the park's ecosystem and generating wider public conversation on climate action, ecology, waste and kinship with the wider community of life.


Get Involved

The KinShip Artist Placement 2022 Award aims to provide opportunities for artists to respond to climate-action concerns within the context of The KinShip Project.  It supports activities that take place onsite at Tramore Valley Park and are participatory in nature.

Applicants can apply with a proposal in response to the curatorial brief below to

The following supports will be made available to selected artists:

  1.   Access to a hot desk at Tramore Valley Park (limited).
  2.   Curatorial support from artist collaboration Lennon Taylor.
  3.   Monetary award of up to €1500which includes artists fee, materials and all incurred expenses.

Curatorial Brief

Lennon Taylor are creating a series of both invited and open submission short Artists' Placements in 2022.  This Open Call is an opportunity to make proposals to the artist/curators.  Applicants are invited to consider the complex ecologies of the park and to generate new ways of being on site, framed using three nodes for park/person encounters:

Subterranean Encounters:

We ask “how do we engage with the ‘underground’ as a very particular spatial context that generates insight and questions that unsettle and confront practices of sub-surface extraction, burial, or dumping?”  The subterranean and the underground are rich sites of provocation and cultural 
imagination.  We invite being with the underground, to investigate, to encounter and imagine the living underworlds of soil, liquids, microbes, worms, bacteria and mycelium networks.


Grounded Encounters:

We ask how do we engage with the ground as a spatial context on which we build our habitats and communities?  We share this ground with the broader community of life growing, inhabiting, breathing, and shaping. We invite being with the ground in a reciprocal capacity, to encounter, to listen, to remediate, to co-create.


Aerial Encounters:

We ask how do we engage with the aerial, the overground space of weather, flight, molecules of 
scent, territorial birdsong, broadcast signals, surveillance, and power?  How do we develop an enhanced awareness of our co-existence with the airborne, vaporous, and atmospheric wider 
community of life over ground? We invite being with the aerial, to investigate, to encounter and 

Placement News

 Learn about past and upcoming artists on placement at Tramore Valley Park below:

Feb - March 2022

Judy Kravis and Peter Morgan

Writer and Artist

chance encounters: talking in the park peter morgan & judy kravis tramore valley park, cork city 8th — 22nd march 2022


Everyone is happy to talk in a park. There’s freedom in talking to strangers, in the open air. There has been a drought of conversation the past few years. Like swimming and riding a bike, you don’t forget how to do it. As longterm producers of books we are interested in not producing anything except thoughts in people's heads, which may be forgotten two minutes later or may be remembered for years.

For more on the project, please go to


About the Artists on Placement

Writer Judy Kravis and artist Peter Morgan have been working collaboratively for over thirty years, with a particular focus on books, published by Road Books. They manage an eco-project on their land where they have established native woodland, created a large pond, restored meadowland and habitats. In the past few years they have started an artist’s residency, with an emphasis on the interdependence of creative work and the work of the land.


Judy Kravis gardens, writes, interviews the dead as well as the living, blogs about the books she reads, and keeps a longterm diary. Her writing is experimental, poetic, rooted in her extensive reading, her diary, the energies of the classical music she listens to and the garden she looks after. Her most recent book How to talk to the inspector, questions land use and the planning process.


Peter Morgan works with photography, text, moving images and 3-D objects. His approach is humorous, provocative and conceptual. He has exhibited, curated exhibitions, and initiated a new departure for RTE’s Angelus. Recently, working in the woodland, chopping, splitting and stacking, has inspired new artworks. His latest book, I am the messsenger, confronts the climate crisis.


They are both former teachers. Judy Kravis taught French literature in University College Cork for many years, and Peter Morgan taught photography in Limerick School of Art and Design. They now welcome art students and permaculture students to enjoy the land and learn from working in the woodland and the organic vegetable garden. They host art events, exhibitions and performances. They show regularly at small press and artist’s book fairs, and their books are in many collections in Ireland, UK, and Europe.


Feb - July 2022

Colette Lewis


Long placement, In situ up until – July ‘22


Credit: Maria Lewis


About the Artist on Placement

Colette Lewis is a visual artist whose practice engages with place-based forms of knowledge exchange in the ecological reimagining of urban and rural places. Her work incorporates collaborative actions, public events and installations, filmic and photographic works, and publications.  In the past two decades she has produced numerous social art projects and received considerable funding awards for her practice. In 2021 Colette was selected as the inaugural Platform 31 Scheme artist in the Cork City Council area established by the Association of Local Authority Arts Offices. She has an MA in Visual Art Practices from IADT, BA in Fine Art Sculpture from LSAD and a Diploma in Field Ecology from UCC.  


For the KinShip Project artist placement her research investigates the creative and regenerative capacity of repair and reuse material culture, the circular and community economy, through collaboration with project partners and public engagement. Informed by the feminist economic thinking of J.K. Gibson-Graham a ‘community economy’ centres around ethical considerations “where our interdependence is recognised and negotiated with other humans, other species, and our environment". 


March - April 2022

Jesse (James) Hallaway


Short placement, In situ up until – April 17th


Credit: Jesse Hallaway


About the Artist on Placement

Artist Jesse Hallaway incorporates plants as agents within a digitized musical system. His Sound Performances search for intelligence in domestic plants and analogue electronics. Utilizing the programming language Max a soundscape is created that can be performed by the electrical impulses from a living organism.

The artworks show new ways of interacting with sound, new connections between organic life and digital hardware, and new sounds from outside the realm of human constructs.

He says “If there is an intelligent message within these systems, we’re listening”.


Jesse is currently in residence in the National Sculpture Factory. He was awarded the graduate show in Lismore castle Arts and shortlisted for the RDS visual art awards. He was featured in the VAI Newsletter May ‘18 edition and has been featured in A5 Art magazine and Average Art magazine. He currently lives and works in Cork city.